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- Katherine Moore + (Growing up, Katherine never really wanted … Growing up, Katherine never really wanted for anything, for life lived among her Fidante relatives was, in a word, baroque. As an only child born of a union between Dario and Aela Moore, it was to be expected that she should enjoy not only all the luxuries afforded to the sole recipient of parental affection, but also those inherited by her aristocratic station. Had she a single complaint, it was likely inconsequential in nature. That is, until the day of her father's untimely passing. The manner of Dario's death was regarded as suspicious by his wife, though a lack of convincing physical evidence and a clear motive failed to prompt further inquiry into the matter. It was ultimately ruled an accident. Aela unraveled in the wake of her husband's demise, growing paranoid and emotionally unsound, and ultimately clashed with the Fidante family when it was clear they disagreed with her assessment that Dario's accident was no accident at all. This great divide in opinions stoked discord, and resulted in Aela's unilateral estrangement with everyone around her, including her daughter. After many unsuccessful attempts to mend the relationship, Katherine resigned herself to the reality that her mother was a lost cause and began to cultivate a sense of self-reliance and confidence that had, up until that point, remained underdeveloped. Some months later, when Katherine was only twelve years old, Aela returned home to live among her own family in the Oathlands, leaving her daughter behind to be cared for by her cousins. However hurtful the departure, it was still a preferable arrangement to Katherine to remain in Tor. After all, she had that point maintained only light, casual discourse with her Moore relatives, and had no desire to give up a bustling city for a rural countryside. The years passed by, and Katherine moved forward with her life. She completed courtier school, and even spent a short stint as a member of the Bard's College to cultivate skills that might compliment her natural aptitude for music. Everything was going perfectly well, though her thoughts often drifted toward her mother. The only way she remained informed on Aela's wellbeing was through her Moore cousins; a letter here and there detailing her health and status. After each successive update, Katherine would feel the sharp pangs of abandonment, but never allowed herself to dwell upon it for very long. Katherine had just celebrated her eighteenth birthday when stories circulated about destruction of Acorn Hill and the Moore family massacre. She learned some weeks later that Aela Moore was named among the deceased. The news jolted Katherine to her core, and resulted in a period of agitation wherein she desperately filled her days and nights with distracting social events: parties, masques, plays, anything that could keep her mind off this new source of distress. For the first time in her life, she was unable to simply will away the pain. In time, she put an end to all avoidance and allowed herself to grieve, not only for her mother's violent death, but for having her opportunity for reconciliation abruptly stolen away. In the immediate aftermath, Katherine developed a budding interest in her distant Moore family, and what legacy they left behind in their wake. Perhaps, she thought, learning about their lives might bring her some much needed closure. A letter was sent to Marquis Kael Keaton to request an audience, and, when the reply contained within a polite invitation, Katherine packed her bags, kissed her cousins goodbye, and left for Oakhaven, not knowing when she might return. She could have never known what might be revealed by making such a visit: the knowledge that she is the last Moore alive who might consider pressing a claim for the Barony of Acorn Hill, and that the Keatons might even be inclined to grant it to her.might even be inclined to grant it to her.)
